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2 The EMF is sent to the local print spooler 3 From the EMF file, the local print spooler generates a spool file using a print driver The spool file includes printer-specific information needed by the printer to create the final document 4 The print job is queued by the print spooler in the local spool folder and forwarded to the printer or print server, where it is transformed from print commands to hard output In Citrix Server farm environments, the XenApp Server acts like a regular client workstation during printing The application running from the Terminal Server generates the EMF, the EMF file is sent to the local print spooler, and a spool file is generated The spool file may then be sent directly to the printer, to the print server that holds the queue for that printer, or to a client connected to the XenApp Server, where it is re-spooled to the printer or print server

1 Choose Tools | Object Manager Create a new layer and make this the active layer 2 Double-click the Rectangle Tool on the Toolbox to put a rectangle on the new layer

4 Choose Effects | Lens; ALT+F3 is the quick way to get to this docker 5 Let s brighten up whatever composition is on the bottom layer; click the drop-down

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press ENTER to enter the value) This is pretty incredible stuff; you can tune a vector drawing composition as though it were a bitmap! You can quickly copy color properties between two objects (including groups) by holding keyboard modifiers as you right-click-drag one object onto another Holding SHIFT copies the fill color, holding ALT copies the outline color, and holding SHIFT+ALT together copies both With each action, the cursor indicates the property being copied You ve seen in this chapter that color is important; color sets a mood for an illustration, and the artistic use of color can actually remedy an illustration that lacks visual interest or complexity And you now know how to define and save not only a color you need, but an entire palette This concludes the section on colors and fills; from here we travel to the land of very special effects take what you ve learned, take what you ve drawn, and bend it, distort it, in general, make it a unique piece by learning how to sculpt vector shapes

No two printing environments are the same What we do know about printing, however, is that every environment will have one or more of three printing options: Option A Clients have a local printer attached physically to the PC via an LPT or USB port Option B Clients have a network printer connected to the PC via the LAN Option C Clients have neither Option A nor Option B configured on the PC

Cleanup Dust Scratches Correct Color Auto Color Correction Manual Color Correction

ou ve probably seen an effect in stores a dozen times: the words Fresh Fish are shaped in the silhouette of a fish In CorelDRAW, this is called an Envelope effect; with it, you can shape words and other objects (and groups of objects) to conform to a different shape And to add to your creative effects in CorelDRAW, there s also the Interactive Distort Tool, a kissing cousin of the Envelope effect, which provides much more dramatic reshaping options, and which makes quick work, for example, of reshaping a simple flower petal shape to look more natural and intricate Remember when you were a child and played with that putty that came in a plastic egg This is the theme of this chapter; in it, you ll learn how to treat apparently solid and stiff objects as though they had the flexibility of putty In the process, you ll gather several practical and creative uses for the Envelope and distort features and discover that work can be fun!

In CorelDRAW you can start with a fresh envelope around an object, use presets, copy a shape to use as an envelope of a different shape, and edit the envelope until the shape suits your need Envelopes are nondestructive; your original artwork can be restored at any time (the Property Bar has a remove envelope button when an enveloped object is selected with the Shape Tool), and once an Envelope has been defined, you edit the envelope exactly as you would a path you can drag on segments and nodes, and change the node control points to your heart s content Figure 20-1 demonstrates both the ease and usefulness of the Envelope effect In the top illustration, the Artistic Text object is enveloped, and the envelope is based on an existing

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